![]() Sam Reiman, Director of the Richard King Mellon Foundation, said, “The Warhol team’s innovative strategy will make Pittsburgh a national leader in creating new cultural models for American cities. Hillman Foundation, and has the endorsement from city, state and local community groups. ![]() ![]() This new district on the North Shore will also complement and amplify the vital role of Pittsburgh’s Cultural District, to which it is directly joined by the Andy Warhol Bridge.” The response to the project already has been favorable, as The Warhol has secured significant support from the Richard King Mellon Foundation and the Henry L. Steven Knapp, President and the CEO of Carnegie Museums of Pittsburgh, parent organization of The Warhol, explains the project’s impact: “The Pop District will demonstrate the role that museums can and must play in their communities by serving as centers of innovation and catalysts of economic development. The physical and programmatic expansion of The Warhol will be the catalyst for creative placemaking and economic transformation through the arts. We now have the plan and resources to follow suit as an agent of change for Pittsburgh and an example of how creative communities throughout the country can be activated to boost and sustain a local economy through focusing on opportunities and experiences for young people.” Patrick Moore, The Warhol’s director and leader of the project, states, “Andy continues to be emblematic of the American entrepreneurial spirit-a true agent of influence and change. To be known as the “The Pop District,” the project aims to use the power of public art, digital media production, live music and performance to create a museum-led destination in the city where Andy Warhol was born. The couch in the lobby, situated under a photograph of Warhol sitting on it, was from the artist’s studio and makes for a great photo opportunity.ġ17 Sandusky St., Pittsburgh, Pennsylvania, 412/237-8303, warhol.The Andy Warhol Museum has announced that the museum will spearhead a major new cultural and economic development project that intends to transform a six-block section of the museum’s neighborhood on Pittsburgh’s North Shore into a thriving hub for expansive cultural programming, creative workforce development and ultimately a new cultural tourism destination. Before exiting the museum, visitors are presented with an image of the artist’s grave site, decorated with Campbell’s Soup cans. Lower levels of the museum cover the 1968 attempt on Warhol’s life as well as news clippings of his 1987 death alongside personal belongings like his wigs. The fifth floor features some of the artist’s silkscreen works, a technique that enabled him to reproduce images of famous figures like actress Judy Garland and golfer Jack Nicklaus.Īt times stepping away from painting, Warhol channeled his creativity in different directions, as evidenced by Silver Clouds, an interactive installation on the museum’s fifth floor in which visitors become part of the art, standing amongst metallic balloons that seem to hover as they drift through the space. The sixth floor models the aesthetic of Warhol’s New York City studio, the Silver Factory, as visitors browse photographs of Warhol at work during the 1960s. Soon, inklings of advertisements and pop culture that shaped Warhol’s work, including the inspiration for his famous depictions of Campbell’s Soup cans, begin to emerge. Visitors begin on the seventh floor and descend through the museum, with each level depicting a different decade of the artist’s life.įamily portraits, his mother Julia’s passport and naturalization papers, and even her potato masher and spoon depict the artist’s years growing up in western Pennsylvania. Home to over 4,000 videos, 900 paintings and 100 sculptures, The Andy Warhol Museum explores the pop artist’s legacy through his famous works, lesser known pieces and personal artifacts.
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